The Blog of the LCSNA

Far-Flung Knight

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The Blog of the LCSNA

A West African Wonderland

Mia Araujo (b. 1986) is a phenomenally talented artist and writer currently working on an illustrated YA/Adult novel adaptation of Alice in Wonderland. “My retelling of this classic story takes place in a fantastical West African setting, and is the story of two sisters who both see the White Rabbit. One chooses to follow, and the other stays behind.”

Graduated as valedictorian from Otis College of Art and Design, with a BFA in Illustration and a minor in Creative Writing, she has shown her work in prominent galleries across the U.S. and around the world, and has been published in such magazines as Hi-Fructose, Juxtapoz, and Spectrum. (The fact that she came to our attention through Iain McCaig should speak to the depth of her talent.)

Some of her Alice drawings and paintings can be seen here. As with many young artists, she is looking to crowd-sourcing to help her on her journey to a West African Wonderland, and is using Patreon to do so.


Savile Clarke Productions

Mark and Catherine Richards’ excellent Lewis Carroll Resources website has a new section on the productions of the Savile Clarke Alice. The first was in 1886; 34 others are documented here, running through 1931. This comprehensive database includes a mass of information including production dates, cast lists, reviews, actor images, ephemera, etc., compiled by Catherine over the past few years. New material is constantly being added, but what is there already goes way beyond any previously available resource. Click here.


Seeking It with Thimbles: Fine Press and Artist’s Books

This seems to be a banner year for hunting particularly elegant Snarks. The Cheshire Cat Press of Toronto last year published a fine-press Snark illustrated by Byron Sewell (42 copies, $350, KL 101:58), and will soon publish an identically formatted edition with illustrations by George Walker based on Donald Trump’s cabinet as the crew. Another being planned features cartes de visite selected by Andy Malcolm. Contact

Marie Christine Bourven of Reims, France, has produced a charming bilingual (French and English) accordion-fold artist’s book Snark ($100). Contact (de préférence en français).

A most elegant artist’s book from the Chevington Press (UK)—distributed in the U.S. by Two Ponds Press of Rockford, Maine—is “illustrated by the lauded color-etching printer D. R. Wakefield, using contemporary characters to depict the members of the hunting party and even a portrait of the elusive Snark/Boojum. Wakefield’s etched portraits, ranging from Ted Hughes as the Broker to Morgan Freeman as the Butcher and the artist as the Bellman, bring a modern feel to this work.” Deluxe copies (#s 1 – 5) are bound in quarter leather, housed in a clamshell box, and contain an extra suite of the etchings ($4,700); “ordinary” editions #s 6 – 32 are $3,200. Contact

Two spectacular oversize artist’s books by Gwen Harrison and Sue Anderson of the Impediment Press in Australia consist of sugarlift and aquatint etchings with handset letterpress printing. Howl for a Black Cockatoo (photo above) and Phantomwise Flew the Black Cockatoo “tell the cruel and absurd history of a government institution set up in Australia in 1869, which continued up until 1975. Lewis Carroll’s remarkable texts were interwoven and layered with other text throughout both books, which allowed us to tell this previously hidden history, as without Alice’s help, reading such a dark history would have been unbearable.

“It tells of devastating and relentless cruelties inflicted on young girls, orphans, and neglected children while they were confined in the old penal prison known as ‘Biloela,’ on Cockatoo Island in Sydney Harbour. It is difficult to express the nature of the overwhelming wrongs these girls endured. Eventually their story was recontexualised into another world called ‘Wonderland.’

“The original sugarlift etchings, many inspired by John Tenniel, are all printed from the copper and steel plates on Magnani ‘Revere’ 100% cotton rag paper. Letterpress printing on a Potter Proof press, handset in Caslon lead type, various wood types. Abstract leather binding in black kangaroo, with sugarlift etching on Magnani ‘Revere’ paper.”

Howl is in an edition of 25 (au$7,000; us$5,000); Phantomwise is au$8,000; us$5,700. Contact


We’re No. 2!

OCLC (Online Computer Library Center), a nonprofit cooperative organization “dedicated to the public purposes of furthering access to the world’s information and reducing information costs,” and its member libraries cooperatively produce and maintain WorldCat, the largest online public access catalog in the world, as well as the Dewey Decimal Classification system.
On March 5, they published The Library 100: Top Novels of All Time, a list of the novels most widely available in libraries today. Alice’s Adventures in Wonderland came in at No. 2 overall, behind No. 1, Don Quixote, and ahead of Huckleberry Finn.
Thanks to Jon Lindseth for finding this.


The Graphing of the Snark

The hypergraph properties of a short excerpt (lines 547 to 556) of “The Hunting of the Snark” was presented by Ronald Haentjens Dekker and David J. Birnbaum in their talk “It’s More than Just Overlap: Text as Graph” at Balisage: The Markup Conference in Washington DC in August of 2017. It was later printed in their Proceedings in the Balisage Series on Markup Technologies, vol. 19, and is accessible here. (Scroll down about 2/3rds of the way or search for “Appendix C. Hypergraph Visualizations.”)

[Thanks to Götz Kluge for spotting this.]


All Is in One (image) Derland

Renowned Spanish illustrator, and professor at the University of Granada, Sergio García Sánchez depicted the entire book of Wonderland in a single circular image, published in the New York Times Book Review on February 2, 2018. He has now made beautiful 100 × 100 cm (39 × 39 inch) prints available on acid-free Fabriano Accademia paper, 120 gr., signed by the artist. A print plus shipping to the US is $100. Contact him by email.


Five More New Books

Five new books of possible interest to younger Carrollians:

  • “Gothically visionary” You Are Alice in Wonderland’s Mum (Pick-A-Plot book 4 in a series of Choose-Your-Own-Adventure style books, Conundrum Press, 2017), written and illustrated by Sherwin Tjia. “In a quest to find your daughter that will take you through the seedy underbelly of London’s Whitechapel district and up into the secret debauched heart of its richest denizens, …” Alice’s Mum is called Hannah for some reason. The Pick-A-Plot series also contains such undoubted masterpieces as You Are a Cat in the Zombie Apocalypse.
  • Described as a “Steampunk Alice in Wonderland,” Curiouser and Curiouser (Clockpunk Press, 2017) by Melanie Karsak (who describes herself as “a steampunk connoisseur, zombie whisperer, and heir to the iron throne”), follows Alice Lewis through adventures with Lord Dodgson, Rabbit, Jabberwocky [sic], and the like through the London of the Crystal Palace exhibition.
  • DeAnna Knippling’s The Clockwork Alice (Wonderland Press, 2017) is a YA novel described as “In Wonderland, a terrible curse had been inflicted on the inhabitants. For half the day, they are banished to the opposite side of Wonderland, where everyone is made of clockwork and forced to work until sunrise, winding the Master Chronometer that powers them all. And if they don’t? The entire world will wind down.” She is also the author of
  • Alice’s Adventures in Underland: The Queen of Stilled Hearts “Before Lewis Carroll wrote Alice’s Adventures in Wonderland, he was humble Charles Dodgson, mathematician at Christ Church college . . . and a zombie.”
  • Stefanie Marie’s War of Hearts (2018), Book 1 of her Wonderland Kings series, set in today’s world, follows Alexandra (“Alex”) Kincade into Wonderland, these days full of dark magic and dead things, and her four “kings” in what is called a “reverse harem” arrangement.


The Tell-Tile Hearth

As we all know, Rev. C. L. Dodgson’s fireplace in his rooms at Oxford was surrounded by beautiful brick-red decorative tiles created by William De Morgan. A sailing ship was depicted at the top, with both mythical and natural creatures encircling it. (Seen here in Linda Gray-Moin’s re-creation, KL 100:4. A detailed article on the subject will be in the forthcoming Knight Letter #102.)

The frabjous news is that you can now get perfect reproductions of these tiles from William Morris Tile! You can buy them in several sizes, or one or two of the multi-image ones specially designed and priced for the LCSNA! (Look on the lower right of the page under “Limited Edition Collector Tiles.”)