Phlizz, from the Lewis Carroll Genootschap (the Dutch Lewis Carroll Society), “distinguishes itself from [our] society’s print journal dodo/nododo: Phlizz is directed towards the society’s relations, while dodo/nododo is a journal in the spirit of Lewis Carroll, aiming at a broader audience.” The splash page of Phlizz in English is here. Click on the “Huidig nummer” (current number) tab to get to the actual articles, most all of them in Dutch.
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Labyrinth, the Russian publisher, has issued the Alice dyad in luxurious Russian-language editions with lots of “extras”: tip-ins, fold-outs, pop-ups, inserts, booklets, ribbons, etc. View a video about Looking-glass here. One easy way to order them is through Vasha-Kniga, a Russian bookstore in Brooklyn: Wonderland, Looking-Glass.
The wonderful San Francisco Center for the Book, “a center of inspiration for the book arts world, featuring the art & craft of letterpress printing, bookbinding, and artists bookmaking,” which also hosted us a reception for us at our Spring 2017 gathering, has an annual fundraiser, the Roadworks Steamroller Printing Festival, which features artist prints made by, yes, a 7-ton 1924 Buffalo Springfield steamroller, with spectacular results.
Artist Rik Olson was inspired this year to create Down the Rabbit Hole (at left or above–and much larger–if you click on the post link), with the Alice characters and the steamroller itself! The print is 42 x 42 inches (of course), and sells for $500. He made ten prints, of which three are left at this writing. Contact Cheryl Ball email@example.com for details. A great print supporting a great cause!
Bonus: Rik has confirmed that he put exactly 42 hearts in the print.
Belgian cartoonist Steven Dhondt (Stedho) created a(n almost) wordless riff on a modern Alice—“Why Is a Raven on a Hoteldesk?”—for a magazine called Brussels in Shorts, issue 2, published by Oogachtend in 2014, but available for online viewing here.
(Thanks to Craig Yoe! for the tip.)
For the last six years, California artist Phyllis Davidson has been creating a series of oil paintings exploring different “aspects” of Alice. She says:
Aspects of Alice is a series of paintings not illustrating but inspired by and celebrating the stories. While my Alices vary racially and are at different life stages, they retain the resolute spirit of the original, neither meek nor obedient, but adventurous, inquisitive and strong. My rendition of her entourage includes recognizable images of Carroll’s famous characters as well as freshly invented characters for whom new stories must be imagined.
Lewis Carroll envisaged an alternative world with outsize characters and it’s own logic. He encouraged his readers to give free rein to their imagination . . .to follow Alice down that rabbit hole and through the looking glass. And so I did. He created a kaleidoscope of illusions; I simply rotated the cylinder.
Visit her online gallery here.
Christian Birmingham is a British artist who has illustrated some of the finest authors in children’s and adult literature. He has won the Whitbread (now Costa) Children’s Book of the Year, the Smarties Book Prize and the Red House Children’s Book Award, among many other honors. His lovely Wonderland has just been published through Books Illustrated, Ltd. You can view many of the illustrations here. The edition comes in four flavors:
- Standard – Hard Cover in a slipcase – Edition: 200 Price £95 ($117)
- Collectors – Cloth bound in slipcase – Edition: 100 Price £250 ($307)
- Deluxe – Leather bound in Presentation box – Edition: 100 Price £500 (US$614)
- Prestige – Vellum bound in Presentation box – Edition: 20 Price £1,000 (US$1,228)
(Note that postage to the U.S.A. starts at £80 [$98].)
Books Illustrated also carries a line of limited-edition painted bronze Wonderland statues by Rachel Talbot, and original art (both b&w and full color) from the book. Click here.
Permafrost Theatre Collective, in partnership with The Chameleon Fools Theatre Troupe and in association with C venues, will be presenting a new Wonderland tale at the 2019 Edinburgh Fringe Festival August 14th – 26th. “In this bold reimagining, every actor in the all female/non-cis cast plays Alice at one point or other in the story. Built around repurposed passages from Lewis Carroll’s classic stories, Are You Alice: A New Wonderland Tale asks questions of identity, womanhood, and self-acceptance in a world which constantly redraws the lines and rewrites the rules.
“Iconic images such as The Jabberwock, The Mad Hatter’s Tea-Party, and The Queen of Hearts are brought to life using original music, dance, puppetry, and more in this multidisciplinary production [whose aim is] to create a universal ‘Alice’ for the 21st Century.” The trailer can be seen here.
If you’d like to help them get to the Fringe, they have a GoFundMe campaign.
The Eva Le Gallienne/Florida Friebus adaptation, directed by Sara Bruner, is in repertory from May 29 – October 12, 2019 at the Allen Elizabethan Theatre as part of the Oregon Shakespeare Festival in Ashland. Click here.
The show is happening in collaboration with The Australian Centre for the Moving Image (ACMI) in Melbourne, which held an acclaimed exhibition called Wonderland last year. You can see a video about that one here. (And don’t forget their phenomenal catalog.)
You may wish to start planning your trip now!
“Since I was young, I have loved the imagery found in fairy tales and enjoyed making up my own stories. Now I narrate with paint, creating character interactions combined with symbols and metaphors, and then adorned with layers of patterns, bold colors, and sometimes glitter. My stories are inspired by the surreal world of dreams, but embrace science and nature to create visions that refer to our world, but defy our known restraints. This is something Lewis Carroll and I have in common, our love of imaginative, and often absurd, storytelling. For this series, I combined elements from both of Lewis Carroll’s Alice books with new characters, and other personal references, to envision scenarios that explore environmental issues, social structures and identity.
“The title for this series is referring to the chapter written by Carroll called, ‘A Wasp in a Wig,’ which was omitted after the illustrator, John Tenniel, explained he could not see his way to a picture and it was an opportunity to condense the story. That wasp, as well as the other iconic Wonderland characters, symbols and metaphors, became the starting point for curious images that expand on the stories found in Wonderland, yet did not make it into the final manuscript.
“In this series, Alice is no longer an innocent child, but rather several grown women. In these multiple forms, Alice plays the role of female archetype, bringing with her the attributes imbued by Carroll, but modernized to represent various facets of the contemporary woman. Her form is a tribute to Tenniel, who drew her proportions with a larger head and smaller legs.
“The Cheshire Cat is the observer, the scientist, and the only character that truly spoke to Alice and explained how Wonderland works. He educates while battling against superstition and nonsense.”
You can visit the paintings here.