Rebecca Mead’s article about the play Gatz, in the September 27th, 2010, issue of The New Yorker, had a nice parenthetical quip in re Alice adaptations:
[John] Collins [founder of Elevator Repair Service theatre company], who is courtly and subdued in nammer, had directed productions as an undergraduate: his first full-length show, “The Real Mary Ann,” was based on “Alice in Wonderland” and was performed in the basement of Pierson College. (“Every experimental director has to go through an “Alice in Wonderland” thing, and John was very lucky to have gotten his out very early,” James Hannaham, a novelist and journalist who was an early member of the company, says.)
Another talented young thespian currently scratching that itch is Yale University’s Oren Stevens, class of 2011. As reported in the Yale Daily News last week:
Starting October 7 to 9, Stevens — a longtime participant in the Yale Dramat with more than a dozen credits under his belt — will be seeing his piece, “Phantomwise,” be produced on the stage of the legendary Yale Repertory Theatre. The play is an official Dramat production and is the second student-written play to get the Dramat’s support in recent memory, after George’s “Commandments” was produced last spring.
“Phantomwise” follows the story of Alice Liddell, the English beauty who was the inspiration for Lewis Carroll’s “Alice’s Adventures in Wonderland.” The play weaves together the true story of Liddell’s life with the children’s classic tale, traveling between fantasy and reality.
If you know of (or attend) Carroll-themed performances: let us know!