Welcome to the LCSNA’s blog, where you can read regular updates about Lewis Carroll’s influence on all aspects of life. Please keep in mind that these posts are informational only; we do not endorse any link, statement or product cited below unless we specifically state that within the post. We hope you’ll visit often to review the posts and add comments.
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Campfire Graphic Novels, a publishing house out of New Dehli, India, released their Alice in Wonderland this week, as part of their large and expanding series of comic versions of classics, biographies, mythology, and originals. The adaptation (72 pages, full color) is by Lewis Helfand with art by Rajesh Nagulakonda (who has previously illustrated their Joan of Arc, The Time Machine, and Oliver Twist.) Campfire’s mission statement: “It is night-time in the forest. A campfire is crackling, and the storytelling has begun. In the warm, cheerful radiance of the campfire, the storyteller’s audience is captivated. Inspired by this enduring relationship between a campfire and gripping storytelling, we bring you four series of Campfire Graphic Novels…” A noble cause, but isn’t reading comic books by firelight a bit hard on the eyes?
The September 2010 issue of Asimov’s Science Fiction hits newsstands today. The two poems in this issue both use Alice’s Adventures in Wonderland themes as their central metaphors. “The Now We Almost Inhabit” by Roger Dutcher and Robert Frazier uses the Cheshire Cat and Alice’s changing size “as images of changable realities”, and Ruth Berman’s poem “Egg Protection” (mistakenly called “Egg Production” in the table of contents) uses “the pigeon’s opinion of long-necked Alice as a predatory serpent as the opinion of birds in general regarding humans.” (Quotes describing the poems from Ruth Berman.) Here’s an excerpt from “Egg Protection”:
For about two weeks, two robins
Kept yelling at me
Every time I appeared outside the door
In (apparently) a cloud
Of flames and brimstone
Visible to birdseyes,
To grab the paper or the mail.
[...]
Like Alice, I have eaten eggs, certainly,
But I don’t want theirs.
Birds consider only the first bit.
They don’t take a human’s word for the rest.
To read the whole poem, please consider purchasing September’s Asimov’s Science Fiction, where all fine magazines are sold!
Lewis Carroll and the Liddell family made the July 26th 2010 issue of the New Yorker in reference to his work on election mathematics. Anthony Gottlieb, in his article in the book review department called “Win or Lose: No voting system is flawless. But some are less democratic than others“, gives Dodgson praise for considering voting systems that are more fair than, for instance, the U.S.’s current winner-take-all method.
The history of voting math comes mainly in two chunks: the period of the French Revolution, when some members of France’s Academy of Sciences tried to deduce a rational way of conducting elections, and the nineteen-fifties onward, when economists and game theorists set out to show that this was impossible. Perched in the middle is the Reverend Charles Dodgson, better known as Lewis Carroll, the author of “Alice’s Adventures in Wonderland” and “Through the Looking-Glass.”
National politics weren’t on Dodgson’s mind, it appears, when he first became interested in the theory of voting, in the early eighteen-seventies. Ostensibly, he was pondering the best way for the governing body of Christ Church, Oxford, where he was a tutor in mathematics, to decide on the design for a controversial belfry, and to pick new members of the college. As to what explained his sudden interest in college politics, some people—notably the late economist and Dodgson scholar Duncan Black—have suggested that Alice Liddell, who inspired the Wonderland tale, in 1862, was at the bottom of it. Alice’s father, the head of Christ Church, had forbidden Dodgson further contact with his daughters, and meddling in college politics may have been Dodgson’s way of getting back at him.
The whole article is pretty interesting, and concludes that one of the fairest methods of voting might be similar to how people regularly rank favorites on internet sites like Yelp (“Approval Voting”).
There’s an interesting anecdote in a June 4th 2010 New York Times article about Pawn Stars, a History Channel television show about Las Vegas’s Gold and Silver Pawn Shop.
Shelby Tashlin of Las Vegas walked to the counter clutching a boxed edition of “Alice in Wonderland” containing an etching and 12 lithographs by Salvador Dalí. Ms. Tashlin’s opening thrust: the Dali prints were limited in number. Mr. Harrison’s parry: “He’s pretty well known for fudging numbers.” Mr. Harrison spoke about etching versus lithography and allowed that Dalí and Lewis Carroll were a “wonderful combination.” Then it was time for business. Ms. Tashlin wanted $10,000. Mr. Harrison asked if she had taken a little blue pill, and offered $5,000.
She politely declined and walked away still clutching “Alice in Wonderland.” “I was hoping it would go the other way, but I’m not surprised,” she would tell a reporter later.
According to the Wikipedia, Tim Burton’s Alice in Wonderland is now behind only two James Cameron films, the final Lord of the Rings movie, & another Disney Johnny Depp flick, as the highest grossing movie world-wide (of all time, partly adjusted for inflation.) They discuss the difficulties of calculating these figures meaningfully (inflation, ticket-price inflation, population and distribution, et cetera, et cetera, et cetera.)
In comparison, in their “List of Highest Grossing Films in the U.S. and Canada: Not Adjusted for Inflation”, Alice in Wonderland is merely 20th, just above Forrest Gump. It is still the highest grossing film of 2010. Not bad for a movie sort-of based on a Victorian-era children’s book with no linear narrative. And also, a bit of an Alice-redemption for the Disney Corporation, whose 1951 version received sour reviews and box office disappointment.
Thanks to Mahendra Singh for reminding us that 136 years ago today Lewis Carroll began his composition of The Hunting of the Snark, “and thus, in a semiotic and hypermetaphysical manner, began decomposing the non-existence of The Hunting of the Snark.” Read more at his excellent blog.
In celebration of Snark Day, here is the full text the first edition, published by Macmillan and Co. in 1876.
In lieu of a rendition of “Happy Birthday To You,” we suggest listening to Billy Connolly as the Bellman in the 1987 April Fool’s Day performance of Mike Batt’s Snark musical. When the musical was originally released as a concept album in 1986, the part of the Bellman was sung by Cliff Richard, possibly the only time Billy Connolly and Cliff Richard have proved substitutable in popular culture.
Finally, Mr. Singh (an LCSNA member and Knight Letter editor) is publishing his own beautiful Snark illustrations, coming out November 2nd, 2010, from Melville House, and it’s already available for pre-order on Amazon.com here. Only $10.08! (Don’t be fooled by Amazon’s “look inside,” it links to another edition.) Previews of many of Singh’s illustrations can be seen on his blog, and I’ve reprinted one below.
From Mahendra Singh's illustrations for Lewis Carroll's The Hunting of the Snark
Liz and Francis of Oxford Storypods, the talented folks who put out a very nice audio version of Alice’s Adventures in Wonderland paired with a great selection of poems and letters, have just announced a contest for nonsense writing in a Carrollian vein. You can read the details by clicking here. It’s a particularly challenging contest, since your submission must be very brief (max 200 words) as well as good! Two winners will be selected and awarded the aforementioned Storypods audio book, which is well worth a little nonsensical effort. The winning entries may also be professionally recorded.
7/20 PLEASE NOTE: The contest deadline has been extended to August 15th, 2010, to allow you nonsensical writers more time to flex your imaginations. Storypods has asked that you keep your submissions to the 200 word limit. The two winners will be announced on or about August 25th.
Several LCSNA members have noticed Alice’s Adventures in Wonderland featured in magazine advertisements for something called 100 Classic Books. Gary Brockman describes one ad thus: “Against a background of bookshelves packed with mostly leather-bound volumes, a pair of manicured hands holds open an electronic reader. On the left ‘page’ are the last lines of ‘All in a Golden Afternoon’ (there not being room for an entire stanza) and on the right page the beginning of Chapter 1 of AAIW (there not being room for the entire first sentence). The ad copy reads in part: ‘Own an instant library of 100 of the greatest books ever written, from Alice’s Adventures in Wonderland to The Hound of the Baskervilles.’”
The list price is $19.99 for Nintendo DS (a latter-day Gameboy), and is exactly what it says it is: 100 classic books that you can read on your Nintendo DS. How comfortable these little hand-held gaming devices are for reading full novels is open for debate. But how excellent would it be to find that the teenager zoned out on his gameboy at a restaurant is not rescuing princesses (‘princi‘?) but instead reading Don Quixote? I’ve seen young people huddled around tiny iPod screens to watch full length movies, so the idea of having a hundred classic books in miniature at your disposal for long trips might not be entirely claustrophobic to the right demographic.
The postage stamp-sized game card includes a variety of books for all different ages, including seven separate works by Charles Dickens. There are novels that people can enjoy on the beach, such as Jane Austen’s Pride and Prejudice; adventure and mystery novels that can be devoured during summer travels, such as The Adventures of Sherlock Holmes by Arthur Conan Doyle or Bram Stoker’s Dracula; and books that kids can read at home, such as The Jungle Book by Rudyard Kipling or Alice’s Adventures in Wonderland by Lewis Carroll.
For about two weeks, two robins
