The Blog of the LCSNA

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The Blog of the LCSNA

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Since this blog will be a year old on Saturday, and is nearing its 100th post, and okay, just because I’m thinking about it, this seems a good time to give the Lewis Carroll Society of North America (LCSNA) a plug. I don’t think I’m biased at all when I highly recommend joining. Not only does your membership support free-to-the-public, twice-annual meetings in interesting places with fascinating, often world-renowned speakers, but members also receive the bi-annual Knight Letter journal and an annual publication not available anywhere else. (Don’t miss Mahendra Singh’s review of the most recent, Lewis Carroll: Voices From France by Elizabeth Sewell.)

The best part may be the interesting people one meets. Our meetings take place in the United States, but we have members in many countries who often find a way to join us. In addition, since Lewis Carroll was a mathematician, logician, photographer, inventor, and, oh yeah, author, and his works were/are then transferred to the stage, song, music, film, radio play, video game, opera, advertisements and commercials, music videos, comic book, textbooks, parodies, pastiches, mashups… I could go on for another three lines and someone would still let me know I’d forgotten something so I’ll stop now and get to my point: with such a wide variety of Carrollian topics, there is a wide variety of Carrollian enthusiasts interested in meeting and talking (and eating!) with fellow enthusiasts.

So if you haven’t already, tell yourself how much you love you and give yourself a LCSNA membership for Valentine’s Day!

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MardiGras in Wonderland

If you’re in New Orleans on Sunday, February 22, check out Mardi Gras marchers “Krewe Do Craft” as they present “Alice In Craftyland.” Their handmade throws are designed to delight Alice in Wonderland lovers and all who come. Krewe Do Craft is a New Orleans-based marching Krewe that focuses on throwing unique, handmade, and environmentally conscious throws. To see pictures of their Alice thows and for more information, visit www.krewedocraft.com.

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More auction items

Bloomsbury New York has a first American edition of Through the Looking Glass and The Harp of a Thousand Strings (the first -albeit unauthorized and uncredited- appearance of Lewis Carroll’s work in a book) up for auction on January 25, while Bloomsbury London has a Dali Alice on the block on February 26.

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Valentine?

On February 15, the British Library will release a new facsimile edition of Lewis Carroll’s original manuscript, Alice’s Adventures under Ground (which they have in their collection, which, in turn, is well worth visiting if you happen to find yourself in London). “In an accompanying commentary, Sally Brown sketches a portrayal of Carroll, and traces the stages through which the story passed…” (This may be part or all of this.)

If you don’t want to pay postage from the U.K., the giant online bookseller (which shall remain nameless since they don’t pay me for advertising) is currently pre-selling the book at a discount.

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Snark!

David Denby’s new book, Snark (Simon & Schuster, 2009), is “‘a polemic in seven fits’ and places his observations of contemporary culture against a history of satire and invective. After introducing the current state of snark and its practitioners, he returns to the earliest dabblers in snark, first citing the origin of the word. For that, he credits the Rev. Charles Lutwidge Dodgson, aka Lewis Carroll, who first used the word in a mock epic called The Hunting of the Snark: An Agony in Eight Fits. While Carroll hunted the snark (a creature that, among other things, “has no sense of humor and can’t stand puns”) he was no writer of snark himself.”
From “Of seethe, snarl and glinting malice” by Carol Herman of the Washington Times.

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Alice Revisited

(c) Ellen Kahn

Artist Ellen Kahn’s exhibit of paintings and works on paper, “Alice Revisited,” references the hall of doors in Alice in Wonderland and the garden of live flowers in Through the Looking Glass to “focus on the psychological struggle that is involved with trying to break free from childhood and move out into the world to discover one’s own identity.” At the 440 Gallery in Brooklyn from February 19 to March 29, 2009.

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