“Like Alice, I have eaten eggs, certainly”: Wonderland-referencing poems in Asimov’s Science Fiction

The September 2010 issue of Asimov’s Science Fiction hits newsstands today. The two poems in this issue both use Alice’s Adventures in Wonderland themes as their central metaphors. “The Now We Almost Inhabit” by Roger Dutcher and Robert Frazier uses the Cheshire Cat and Alice’s changing size “as images of changable realities”, and Ruth Berman’s poem “Egg Protection” (mistakenly called “Egg Production” in the table of contents) uses “the pigeon’s opinion of long-necked Alice as a predatory serpent as the opinion of birds in general regarding humans.” (Quotes describing the poems from Ruth Berman.) Here’s an excerpt from “Egg Protection”:

For about two weeks, two robins
Kept yelling at me
Every time I appeared outside the door
In (apparently) a cloud
Of flames and brimstone
Visible to birdseyes,
To grab the paper or the mail.

[...]

Like Alice, I have eaten eggs, certainly,
But I don’t want theirs.
Birds consider only the first bit.
They don’t take a human’s word for the rest.

To read the whole poem, please consider purchasing September’s Asimov’s Science Fiction, where all fine magazines are sold!

The Brum and the Oologist

The Brum and the Oologist
Were walking hand in hand;
They grinned to see so many birds
On cliff, and rock, and sand.
“If we could only get their eggs,”
Said they, “it would be grand.”

“Oh Seabirds,” said the Midland man,
“Let’s take a pleasant walk!
Perhaps among you we may find
The Great – or lesser- Auk;
And you might possibly enjoy
A scientific talk.”

The skuas and the cormarants,
And all the puffin clan,
The stormy petrels, gulls and terns,
They hopped and skipped and ran
With very injudicious speed
To join that oily man.

“The time has come,” remarked the Brum,
“For ‘talking without tears’
Of birds unhappily extinct,
Yet known in former years;
And how much cash an egg will fetch
In Naturalistic spheres.”

“But not our eggs!” replied the birds,
Feeling a little hot.
“You surely would not rob our nests
After this pleasant trot?”
The Midland man said nothing but,
“I guess he’s cleared the lot!”

“Well!” said that bland Oologist.
“We’ve had a lot of fun.
Next year, perhaps, these Shetland birds
We’ll visit – with a gun;
When – as we’ve taken all their eggs -
There’ll probably be none!”

This poem was sent to us by LCSNA member Mary DeYoung, who found it in a “little book” called Bird Brain-Teasers by Patrick Merrell. Ms. DeYoung writes:

The compiler of this little book, Mr. Merrell, says that this poem, abridged, was written in 1891, appearing in Punch. Brum is slang for Birmingham England, he says. I am certain there were and are many takes on The Walrus and the Carpenter; this is a gem.

And I found you can see the original page from Punch using Google Books here.

Ode to the Blingrupt

Check out Laura Rich’s (Recessionwire) “Jabberwocky” parody, “Ode to the Blingrupt” using economic-crisis terms coined by Trevor Butterworth:

‘Twas ponzipaloosa, and the slithy brokerers
Did scofit and fraudit in the Davy Jones Index;
All bankholed were the financial sucktor,
And the drivelatives quantitatively fassets teased...

Arty Alice

Sue Johnson’s “Alice Redux” panorama will be on display at New York City’s Schroeder Romero/Winkleman Gallery Project Space through April 26. “The 20-foot-long panorama imagines Alice grown up and finding her way through a dream world cluttered by the flotsam and jetsam of modern consumer culture. Advertising images of everyday products appear alongside allusions to the Lewis Carroll tale, making the work a contemporary fantasia of incongruous imagery.” http://somd.com/news/headlines/2008/7363.shtml

A belated congratulations to Bryan Talbot: His Alice in Sunderland was placed on the shortlist for the British Science Fiction Association’s Best Novel award back in January. Winners will be announced at Eastercon this coming week: www.bsfa.co.uk/bsfa/website/awards.aspx.

Some of you may have read the review in the most recent Knight Letter about the Theatre Gajes (www.gajestheater.nl) “stilted” open air performance in Germany. The group recently toured in Toronto, where LCSNA member Tania Ianovskaia attended and took photos: http://picasaweb.google.com/bianovski/AliceNathanPhillipsSquare?authkey=PMdOt4f-P4o.

Last but not least, the one of the winners of the New York Times “Pi Day” (3/14) Poetry Contest (http://tierneylab.blogs.nytimes.com/2008/03/17/contest-winners/) is Mike Keith’s Cadaeic Cadenza, in which each succeeding word of the poem has the same number of letters as the corresponding digit of pi… to the 3,835th digit! Section 3 of the poem is a strange, but clever parody of “Jabberwocky.” http://users.aol.com/s6sj7gt/cadtext.htm