“Alice looked back once or twice, half hoping they would call after her: the last time she saw them they were trying to put the Dormouse into the teapot”
Many [learning and development] people struggle with the challenge of engaging and enrolling business managers in employee development. Trying to wedge them into a place they don’t really want to be. More…
The post is the last in a series of three which uses Alice’s adventures to illuminate strategies for effective learning in the workplace wonderland. Previous posts covered “The Lobster Quadrille for Learning and Development” and topical advice from the Cheshire Cat.
The Publisher’s Weekly blog PWxyz ranked The 5 Books that Inspire the Most Tattoos, finding Alice’s Adventures in Wonderland in the top 5. Their online research seems to be thorough, even if the methods aren’t scientific: “We spent an untold number of hours combing the Internet’s two most extensive literary tattoo sites: Contrariwise: Literary Tattoos and The Word Made Flesh, then cross-checking the most frequently occurring tattoos with Google searches and Google image searches, all to get to the bottom of what books inspire the most tattoos and why.” Lewis Carroll’s book was beat out only by… Slaughterhouse Five by Kurt Vonnegut, only because of the popularity of the phrase “So it goes.” So it goes.
2. Alice’s Adventures in Wonderland by Lewis Carroll
Alice has inspired the most varied collection of tattoos of any book. Its wide cast of characters, quotes and images are all represented: the Cheshire Cat, the Dodo, the White Rabbit, and the Caterpillar all have fans out there. Out of the quotes, “We’re all mad here” was the most commonly occurring. Credit Alice‘s popularity among the tattooed to the fully-realized world Carroll created, and for tone specific to its story. More than any other book on this list, you’d be likely to get an Alice tattoo because it simply looks great and is hyper-intricate. Tim, who has an image of the Cheshire Cat on his shoulder blade, said on Contrariwise: “The Cheshire Cat is the only creature in Wonderland who uses logic. Though his words often seem mocking and bizarre, his process is always logical. To me the Cheshire Cat symbolizes the fragility of the border between genius and insanity.”
Alice in Wonderland is increasingly popular as a wedding theme on reality television and in life (one “credit crunch” bride has even described it as recession-defying). As ever, some couples go further than others. This week many blogs have been reposting these pictures of newlyweds Erin and Matt – a couple with a vision, to be sure. You can see many more pictures at BitRebels.
You know how it is. You read an email alert which leads to a blog, which leads to a YouTube clip, which leads to you spending 6:31 minutes watching a 1987 spoof of Madonna’s “Material Girl” starring Alice and six men in Tweedle suits, shot entirely on location and out of hours in Disney World, Florida.
It’s brilliantly awful, but if for any reason you can’t quite watch it all, at least skip to the end to read the extensive credits. Prominent thanks are given to the Walt Disney World Character Wardrobe, on the principal that sometimes it is easier to ask forgiveness than permission, I assume.
Original movie poster for The Care Bears Adventure in Wonderland (1987), from Wikipedia
I wasn’t aware of the existence of the movie (if it can be called that) called The Care Bears Adventure in Wonderland, but the Nostalgia Critic, from the website That Guy with the Glasses has done a hilarious review of it in his newest episode, and I think you will enjoy it. When I was a little girl, I used to love the Care Bears, and I still find them cute. I also still love the Alice stories, so I was a little excited when learning there is a movie that combines the Care Bears and Alice. The excitement towards the movie quickly diminished. Here’s why. Although I haven’t watched the whole movie, the clips from the review were enough to help me form an opinion, one that isn’t too positive, but I will let you be the judges of that. I do want to point out some things about the movie before commenting on the Critic’s review.
The stories have changed. What a surprise! Alice visits Wonderland but her adventures are completely different from the books. Are they better than the book, you ask? I think we all know the answer to that.
There is one thing I like about this movie (“like” might be too much of a compliment). I should say, there is something I don’t dislike so much about the movie: the Queen is not evil, so it moves away from the usual “evil witch, evil women” most children’s stories present. The Queen might be, as one of the commenters observes, a version of one of the Queens from Looking-Glass but which uses the idea of the Queen of Hearts because she is more recognizable.
This is the most important point. WARNING: After watching the movie clips some of you might feel the sudden urge to poke your eyes out or chop your ears off because, get this… THERE IS A RAPPING PSYCHEDELIC CHESHIRE CAT!
What was up with the ‘80s and ‘90s and the constant need to rap? Ironically this is the character in this movie the Nostalgia Critic “kinda likes,” acknowledging that the bar has been set phenomenally low, so a rapping cat sadly counts as an “up.” Not to give too much away, but if there is one reason to watch this review, it is actually to listen to all the rapping nonsense taking place, and the wonderful remix the Critic produces using other rapping animated artists from other not-so-wonderful movies. This is something the Critic does wonderfully: his references to pop culture, which include the Mario Bros. game and movie, Disney movies, other songs, and even Double Mint gum add to the hilarity of his review. In addition, when the fall into Wonderland occurs, the Critic makes reference to the Disney movie, not Tim Burton’s, but the animated feature from 1951. He refers to it as the “much better Disney movie.” This of course is a point of debate for many of us Lewis Carroll fans because there are very differing opinions about it. I do believe the Critic is referring to the animation in that movie, which was excellently executed and really brought Wonderland to life in a way that not a lot of movies have been able to.
At one point the Critic also comments on the names in the movies, indicating that the Princess’ name is Princess, the Queen’s name is Queen, and the Wizard’s name is… you guessed it, Wizard. This is not only funny but it also makes one think about the absurdity of the movie and makes one wonder how much thought the writers actually put into it. There is one character, however, which is given a name, but I will let you find out for yourselves and laugh at the absurdity, and of course laugh along with the Critic’s comments.
Amid the jokes and screams of frustration, the Critic demonstrates his knowledge of the original books and the period in which they were created. For instance, there is a robot (yes, you read correctly) in Wonderland that needs to be destroyed for some reason. The Critic comments that this is “clearly fitting the Victorian-based novel that this hacked film was loosely based on, but hey, if Tim Burton can throw in breakdancing I guess Care Bears can throw in giant robots.” Robots in Wonderland? This movie seems to be a mixture of Wonderland, Looking-Glass, Care Bears, Transformers, and pure nonsense (and not the good nonsense only Lewis Carroll could so perfectly create). But I don’t want to spoil all the fun of watching the review, which is actually truly funny, and the “fun” of watching clips from the movie. So I will leave you with these wise words about the movie from the Nostalgia Critic himself: “Not only do they insult the intelligence of the younger audience watching this, but now they insult the intelligence of the timeless Lewis Carroll books…” Enjoy!
Warning: This contains some spicy language! Furthermore, our blog posted That Guy with the Glasses‘ review of Alice in Wonderland a few years ago here. Additionally, someone has put the original onYouTube:
Enough Un-Anniversaries, July 28th is actually the day Disney’s Alice in Wonderland was released in 1951. To celebrate properly, we’ll re-post from reigning expert Matt Crandall’s excellent Disney Alice blog, vintagedisneyalice.blogspot.com, where he posted today images of a Disney comic book:
A couple of years after the first publication of Alice’s Adventures in Wonderland, the recently established Aunt Judy’s Magazine printed two new stories by Lewis Carroll: “Fairy Sylvie” and “Bruno’s Revenge.” Several years later, Carroll decided to use these as the basis for a novel, and in 1889 he was hard at work finalizing the first volume, Sylvie and Bruno, for publication.
Carroll enjoyed drawing throughout his life and he has been lauded as “the most outstanding photographer of children in the nineteenth century,” but he always turned to professional artists when it came to illustrating his children’s books.
The caricaturist Harry Furniss, who also illustrated the works of Dickens and Thackeray, worked for several years with Carroll on Sylvie and Bruno, and their collaboration is richly documented in a series of letters from Carroll to Furniss. Their correspondence discusses in detail the composition and illustration of the story, and Carroll has filled his letters with sketches to guide the artist.
Carroll hoped to see the first volume published by Christmas 1889, and in a letter (shown above) from September of that year, Carroll notes that “the case looks almost hopeless” because seven chapters still need to be illustrated. He then goes on to describe in detail a number of illustrations that he wants Furniss to try. To depict The Mad Gardener’s Song in chapter 12, Carroll asks him to show an Albatross turning into a postage stamp. He then acknowledges, “I’m aware it’s an almost impossible subject! But don’t you think there is a certain zest in trying impossibilities?”
Any 6-year-old girl obsessed with Disney Princess merchandise will tell you that Alice was not one of the princesses (‘princi‘?). However, it turns out a real princess seems to have been interested in Alice. At the center of the media spotlight right now is Prince William’s royal fiancée Kate Middleton, to be wed in a few short weeks, and guess what? She did her thesis on Lewis Carroll. The Daily Kate, a blog about a breadth and depth of topics as long as that topic is related to Kate Middleton, posted in June 2009 “Kate’s Lewis Carroll Dissertation Revealed.”
Posters on the internet have been circulating links to the title of Kate Middleton’s university dissertation in recent days. The topic of Kate Middleton’s project should shock no one who knows of her interest in art history and photography: it was a study of the photographic representations of childhood created by Lewis Carroll, author of the famous Alice in Wonderland books.
The website of the School of Art History at the University of St. Andrews lists an honors dissertation by Catherine Middleton, titled “‘Angels from Heaven’: Lewis Carroll’s Photographic Interpretation of Childhood.” Kate completed the paper as a part of her master’s program in art history at the university.
The dissertation topic fits well with what we’ve learned about Kate’s interest in photography over the years. Her work with her parents’ Party Pieces company includes photographing stock for the company’s catalogue and website. She also helped to host a photography exhibition of Alastair Morrison’s work to benefit UNICEF while still living in London; both Prince William and Laura Lopes, daughter of The Duchess of Cornwall, were attendees at that function.
Kate’s interest in art and photography, I hope, will bode well for her future patronage of and work with the heritage of British arts should she and William marry.
I don’t believe the text of the dissertation is out in public, which is well and good. (It’s listed on the St. Andrew’s website here.) Her thesis topic has also been mentioned recently in a Newsweek and Daily Beast article called “Citizen Kate,” if you want to read more about her. If you’re apathetic to tabloid subjects, this may seem more or less irrelevant to anything, but it is nice that the likely future Queen has good taste.
Author Richard Conniff wrote an entertaining post for the New York Times blog Opinionator yesterday. It starts off at sea in a Sieve with the Jumblies and ends in the Tulgey Wood, all to discuss the relation between the Nonsense poets’ zoology and the age of 19th Century scientific exploration, which turned up many fanciful new creatures. “Charles Darwin himself could sound as whimsical as Lewis Carroll,” writes Conniff. Read the whole article here, and here’s an excerpt:
A pigeon from one of Edward Lear’s books.
[…] But it never occurred to me that there might be a direct connection between the two worlds of nonsense verse and biology. Then one day I picked up an old print of a tropical pigeon species and noticed the “E. Lear” in the bottom corner. Though he is celebrated today mainly as the author of such works as “The Owl and the Pussycat,” Lear had started out as a naturalist. His first book, “Illustrations of the Family of Psittacidae, or Parrots,” drew favorable comparisons with Audubon when he published it in 1832, at age 19.
Like many naturalists, Lear described the natural world not just in literal-minded scientific detail, but also in fanciful doodles and verse. And when this blossomed into books for children, he often dispatched his characters, like naturalists, on wild explorations to the back of beyond. He also had them devote considerable energy to collecting the oddities of the country:
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
And no end of Stilton Cheese.
Nonsense was almost a byproduct of natural history. The twin themes of exploration and taxonomy, were “present in the genre as a whole, even in Lewis Carroll, who had no special interest in the subject,” according to the French scholar Jean-Jacques Lecercle, in his 1994 book “Philosophy of Nonsense”: “The reader of ‘Alice’s Adventures in Wonderland’ is in the position of an explorer: the landscape is strikingly new … and a new species is encountered at every turn, each more exotic than the one before. Nonsense is full of fabulous beasts, mock turtles and garrulous eggs.”