A new paper has been published by Stephanie L. Schatz, a research fellow at Purdue, and she has graciously provided us with a link to the paper. Abstract below:
This essay reads Alice’s Adventures in Wonderland (1865) alongside influential mid-century Victorian psychology studies—paying special attention to those that Carroll owned—in order to trace the divergence of Carroll’s literary representations of the “dream child” from its prevailing medical association with mental illness. The goals of this study are threefold: to trace the medico-historical links between dream-states and childhood, to investigate the medical reasons behind the pathologization of dream-states, and to understand how Alice’s Adventures in Wonderland contributed to Victorian interpretations of the child’s mind.
Quite a nice article in Forbes that discusses Anya in Wonderland by Nabokov under pseudonym, Dali, Steadman, and more at the Harry Ransom Center at UT Austin now through July 6th. For those attending the Spring meeting you’ll get to visit up close and personal as this is where the meeting takes place!
Guess this is theater week on the Carroll blog, but lots of good stuff happening. Next month the Drama Desk Award winning TADA Youth Theater is performing a new musical called The Trials of Alice in Wonderland. From their site:
Book by William Brooke Music by Eric Rockwell Lyrics by Joanne Bogart
Based on the classic books by Lewis Carrol, this original musical follows Alice and all the usual suspects in the topsy-turvy world of Wonderland, where Alice is on trial for growing and changing.
April 25- May 17, 2015
Saturdays and Sundays 2pm and 4pm
Everyone is jumping on the Alice bandwagon this year, and DC’s Synetic Theater is no exception. They will be mounting their own adaptation of “Alice in Wonderland” this fall as part of DC’s Women’s Voices Festival. From Broadway World:
The whimsical Alice tumbles down the rabbit hole soon finding herself in the mysterious world of Wonderland. Synetic’s darker take on Lewis Carroll’s tale will bring to life classic characters such as the Cheshire Cat, the Mad Hatter, and the murderous Queen of Hearts with Synetic’s signature style. Directed by Paata Tsikurishvili, chorographed by Irina Tsikurishvili and adapted by Lloyd Rose for the Women’s Voices Theatre Festival of Washington, D.C., this production will have dialogue.
Rounding out the season will be the World Premiere of Eat Me: Alice’s Adventures in the Working Class, written and directed by Isaac Ellis. Alice is a disillusioned Office Manager stuck in the doldrums of corporate life. When a high profile exec suddenly starts acting like a rabbit and escapes from a board meeting, Alice’s work world begins to crumble into chaos. A building of employees who enjoy pushing the limits of policies and egotism collides with the whimsical personas of Wonderland to send Alice on an adventure that explores her place among them all. Based on the books by Lewis Carroll, the beloved characters come to life in this grown-up reimagining of the children’s classics. Performances will be Fridays – Sundays, November 6th – 22nd with Friday and Saturday performances at 8 p.m. and Sundays at 2 p.m. at the Children’s Creative Center (1600 Pauline Blvd. in Ann Arbor).
Well, not really, but that’s what this looks like. “Lookingglass Alice” was recently mounted in Denver and Chicago, and seems to have been around for about 3 years…anyone have any idea where it will be next?
When visiting Oxford in this 150th year, as I’m sure everyone will <wink>, you might want to partake of the official Visit Oxfordshire city tour called “When Alice Met Harry”, which is a tour of all the significant Alice spots, and includes a dash of Harry Potter. What could be better?