Source:
OCLC Newsletter, Nov/Dec 1997, p.13-14
Top 100 authors in WorldCat [the online catalog]
Number 41 is Lewis Carroll with 3,766 items.
(Number 1 is William Shakespeare with 31,187 items.)
Editor's note: That's what I like - short, sweet, and to the point.
A flower but a lady be
An arab steed that swift doth fly
If you can't do me you must die
The Swedish University
The noble who was 'fair to see'
*****************************************
An answer came in.
Also...I think there was a query as to what Mr. Dodgson was doing from
June to August in 1867.He was touring Russia, with Henry Liddon, an
eminent preacher, ostensibly to give the compliments of Queen Victoria,
head of the Church of England, to the Metropolitan of Moscow, head of the
Russian Orthodox Church. (Or have I got the wrong Lewis Carroll site? I'm
rather like the White Queen... a little muddle-headed from time to time).
btw... I've used Mr. Dodgson as a main character in a mystery story, "the
Problem of the Missing Miss", just published from St.Martin's Press. Hope
you enjoy it... Roberta Rogow
Any comments would be immensely welcome, and of course, nothing would be quoted without permission. I can be found on the Contacts page.
Thanks
Karoline Leach
Did you get to hear about the discovery I made in the Guildford archive of the scrap of paper, headed 'Cut Pages in Diary' that contains an outline of the so-important missing diary page for June 27 1863? It certainly seems to dispose of the idea that the infamous 'rift' was connected with Alice Liddell in any way, and points to unanticipated possibilities of a completely different kind ( a good example of the perils of too much certainty!) . You don't seem to have anything about it on your home page at the moment. I think the 'Cut Pages in Diary' document, written as it is in the hand of Dodgson's niece Violet, herself a keeper of the MS diaries, is probably one of the most important finds to come to light in the last few years, so maybe it would be of benefit to other researchers if there could be a slot where they could access and read it. If you would like some more background, I wrote the discovery up for the TLS (Times Literary Supplement) , May 3 1996. Or you could email me.
I admit that, as something of an interloper on the Lewis Carroll literary and biographical scene, I am slightly worried by the absence of debate and of what looks like an overgrowth of largely unjustifiable consensus. There seems to be more enthusiasm amongst many Carrollians for fascinating but perhaps rather esoteric minutiae about Cheshire Cats, ravens, writing-desks and boojums than for investigating or debating the life of the man who created them, and I sense that this is because that life is perceived as an open and not very interesting secret. I take a different view, I think we all know everything about the myth of 'Lewis Carroll', but as yet, very little about the heart and soul of that most curious man, Charles Dodgson.
KAROLINE LEACH
Editor's Note: I will let others digest this and respond to it, before I put my two cents worth in. I do so want to respond, but I'll control myself.
I am not making this up!
I wonder if anyone can tell me what exactly this theory is.
Hitoshi Noguchi
First, a small correction: The red queen hypothesis is not used to explain the difference of the sexes, but the existence of sexual reproduction. In theory sexual reproduction is possible without differences between sexes.
The problem that biologists are faced with, is that almost all multicellular (and even many single-celled) organisms have some sort of sexual reproduction. At first sight, having only generative (non-sexual) reproduction would be much more efficient. With hardly more resources and time, this can produce double the number of offspring. Since sexual reproduction is nevertheless very common, and often special organs are devoted to it, there must be a reason why it is. Several theories exist, and most of them (among which the Red Queen hypothesis) argue that there is a benefit in having offspring different from the parents. One of these is the Red Queen hypothesis, indeed named after the Red Queen from 'Through the Looking Glass'. The Red Queen tells Alice that (I don't have the book at hand, so I will need to paraphrase) 'we have to run to just stay where we are, to get ahead we need to run even faster'. The Red Queen hypothesis uses the fact that a species is never alone, but in constant competition or fight with other species. Now, if a species would be unchanging, the other species could adapt to this species, and this would be to its detriment. To avoid this, the species itself needs to adapt. Thus, according to the Red Queen hypothesis, just like the Red Queen species need to run (evolve) to just stay where they are (avoid extinction).
An example to better understand what is going on:
Imagine a hypothetical savannah with two species, one partially-armed herbivore, and one fearsome carnivore. The carnivore can either attack the herbivore on the neck with its teeth, or on the belly with its claws.
Now, suppose the herbivore can have either of two types of armament, one to protect its neck, and one to protect its belly, while the carnivore can make either its teeth or its claw even sharper.
If at a certain time, there are herbivores with neck armor, and carnivores with claws (thus attacking the belly), the herbivores will evolve to get belly armor instead. But when this happens, the carnivores in reaction will start using their teeth more, and develop into the teethed form. Then the herbivores need to get neck armor again, then the carnivores go back to claw strengthening, etcetera ad infinitum.
Because of this, a species will benefit from evolving, and sexual reproduction will allow (much) faster evolution than non-sexual reproduction.
--
Andre Engels, engels@win.tue.nl, ICQ #6260644
>Limin is Latin for the center of the threshold of a doorway. Liminality,
>then, is the transitional phase of a rite of passage, during which the
>participant follows prescribed forms of conduct
liminality as referring to alice seems to be about the rites of passage and
the awkwardness of moving from one state to another....
Just offering up something that i had been thinking about =)
kbotham@direct.ca
My name is Pauline and I have just veiwed your page and have greatly
enjoyed it. I am doing a report for Lewis Carroll in Drama. We are doing
a play called Outta Control by Pat Cook and it uses a lot of information
about Lewis Carroll. It is about a girl who doesn't do her project on
Lewis Carroll so her family stages a mystery that is based on The Walrus
and the Carpenter using all sorts of things that should hint to her that
it's staged but she doesn't catch it. It uses Lewis' real name Dodgson
and many other things. I recommend you read the play and put something
on this page about it. Thanks for your help.
Sincerely,
Dear Joel,
The publisher is Eldridge Publisking Co., Venice FL 34284 in
1994.
Another
interesting fact I learned is that Lewis Carroll died on January 14,
1888. We are doing our play on January 15, 1998, a hundred years and a day
after his death. It is an absolute coincedience.
Pauline
Let me thank the readers for your kind comments, and interesting questions. The mystique of Lewis Carroll has come to life on the web. These pages would not be possible if Lewis Carroll's work did not continue to intrigue people of influence and talent. As the educators and artists before them, the web community has invested its energy in bringing Carroll to a new generation. 100 years after his death (okay 99.9 years) he has found the media for which he was born.
I'd like to add my congratulations to you for the work you are doing to
maintain and stimulate interest in the work of Lewis Carroll. I really have
enjoyed both the information and the perceptions.
I am a freelance Actor, Producer, Director living and working in London
England. One of my recent projects which I instigated and financed myself
for no other reason than I thought it was a good idea that I could carry
out well, was to record a performance of 'Alice's Adventures In Wonderland'
given by the eminent English actor Sir Donald Sinden. This is now completed
with an original and sympathetic score of music and sound effects. I expect
it to be released as a double CD within the next six months.
However the mood of the recording is so evocative that I believe it could
be adapted to make a soundtrack for a computer generated production or
sequence. This type of creative activity is nightmarishly expensive to
experiment with and so I don't think it would be 'commercial' at this
stage. However I wondered if any of you readers are interested in exploring
this or other any ideas to further exploit my recording. All suggestions
carefully considered.
Very Best Wishes,
I stumbled on your site by accident and found it totally captivating,
as a long-time fan of Mr. Dodgson's work. My congratulations
on an excellent effort.
Years ago I remember reading a very amusing letter (or maybe an essay)
written by Mr. Dodgson on his tenure as wine steward of his house at
Oxford. I've been unable to find it since. Any ideas?
Many thanks for the effort you put into developing and maintaining this
fine site.
Here's some Carroll-related minutiae you may not have come across:
There's a large and highly respected fraternity of lumbermen (I was a
member years go in California) called the International Concatenated
Order of Hoo Hoo that takes the titles of its officers from the works of
Carroll. The chapter president is the Snark. The vice president is the
Jabberwocky and the secretary is the Scrivenoter. The international
president is the Snark of the Universe.
Editor's Note:
From: JCHALKER@delphi.com
I absolutely had a good text of both WONDERLAND and LOOKING GLASS at my
side when I wrote it, but Wonderland seemed like a great metaphor for the
whole virtual reality scene, at least taken to its logical conclusion as I
did. DODO gets weirder yet, although I do like the temple outside of Memphis
(Tennessee, not Egypt) that has the John Tenniel figures lining the steps...
As I say, I'm not really an expert on it, but I did think it was a wonderful
metaphor, and, less obviously, Carroll has helped me jump start some concepts
when designing other worlds, most notably the Well World.
I agree Wonderland and Looking-Glass worlds
are easily considered a virtual reality in a time when you used your
imagination to create it instead of a machine. Of course in the Wonderland
Gambit you get to use a machine shaped by your imagination - a good touch.
To me the obvious reference to use is the Red King dreaming or dreamt. I
have only read The Cybernetic Walrus so far, so maybe it shows up in a later
book.
I like the book Alice in Wonderland. I have started reading it. If
you have children with a 7th or 8th grade reading level, that are not
interested in Goose Bumps, they will probably enjoy it.
Editor: It's nice to hear that kids still enjoy reading Alice, especially from a genuine kid. The bad news is there is only one t in atrocious and I believe Goosebumps is one word. The good news is that when you're an adult you'll want to read Alice again and you'll enjoy it more.
I would like to attract your attention to a wonderful book of which I did
not find a reference on your page " Alice in puzzle-land : a Carrollian
tale for children" by Raymond Smullyan.
This is the reference on this book from the Library of Congress:
First, a piece of glass he coated
Not a bad memory, I'd say.
Explanantion after Thanksgiving.
They both have legs.
Editor's note: Clearly a correct answer, if rather obvious, but I never heard it before.
Israel Cohen
Editor's note: Well that's a new one for sure. Now we're getting into the spirit.
Joel:
I just discovered your page today - thanks and keep up the good work. I
am by no means a Carroll scholar, but I do enjoy a good riddle, so the
"new" answer ("Because each in its own way is a dark wing site.") to the
riddle of "Why is a Raven like a writing desk?" intrigued me.
My first response was that I *didn't* get it (and I assume, you're not
quite sure if you do yourself, judging by your comments), and I must
confess I'm still trying to grapprehend any hidden meaning there.
Anywho, the first possibility is that it is yet another allegory to
feathers and ink, in which case it isn't really new but deserves style
points for presentation. This is the only satisfactory interpretation I
can come up with, and seems to be what the author intended based on the
"each in its own way" caveat.
Another possibility is a play on pronunciation (based on the similarity
between the spoken G and K sounds) which has two meanings:
1) Dark Wing Site, and
And of course, there are the more strangelous things one can do to try
to find meaning there: My favorite is that one anagram of "dark wing
site" is "Edgar's ink wit" which seems to nicely wrap up a number of
themes in one.
Just feeling nonsensical today,
The correct answer, of course, is that "dark wing site" is an anagram for "a
writing desk". I have no idea how I missed this yesterday (I suppose I was
fixed on allusions to Poe), although I did finally click to the right answer on
the drive home last night. (They keep wanting me to work at work.)
I'd say this one fully qualifies as a new answer. And it's got so many related
shades of meaning in the same area that it may just be the best answer yet.
There's no doubt Dodgson would have loved it.
How many people "get it" so far?
Dub
Editor's note: Of course, that is the correct answer. Nobody else "got it" or at least nobody told me.
Given Carroll ecclectic tastes and talents, I believe, that before
answers can be provided to his riddles one needs to carry out some
research into the topics of etymology and ornithology.Carroll was very
aware of the history of words and languages such that it is here where
some answers may be found. At the same time one should remember the joy
and playfulness he took into most endeavours and thus attempt to answer
in this same spirit. Here are a few answers (in a sort of Carrolian
fashion and, I hope, spirit):
1) 'It can be found in a class with a "Writing Master".' (i.e. the bird
otherwise known as a Yellow Hammer or 'Emberiza citrinella').
2)'It finds its roots by flying and scratching.' This answer makes sence
once the following etymological roots - found in most dictionaries - are
considered: "writing" can be traced to the root "to scratch" (as in the
first types of writing or runes scratched on wood or rocks) and "desk"
can be traced to a flying "disk" or "discus.
3)'It can be a little, curious standish (a portable Victorian writing
desk)and curiously a little standoffish.'
4)'It understands its tails and quills would nevar worc with the wrong
end in front.'
5)'It is used to carry on work and worc carrion.'
Fernando J. Soto
And the answers keep coming.
And here's a strange one.
Here is the straight dope from Cecil Adams
Here is the straight dope continued from Cecil Adams
And after such a long time a new entry:
ANSWER: My initial response is to send them ... to the library. I would
recommend reading all the biographies, but if you only have time for one,
the latest one by Morton Cohen is the most complete. If the project is about
references in the Alice books, read the original Annotated Alice, by
Martin Gardner, written in 1960 and in its 32nd printing I think. The
Philosopher's Alice by Peter Heath is a second good book for this topic.
All of the books on the Carroll reference page are worth reading.
Please do some research before contacting me. If you have specific ideas you want to discuss, then I would be happy to discuss them with you.
http://www.win.tue.nl/cs/fm/engels/index_en.html
Jamie.
I dont know whether this is anything you might like to start a discussion
on...but im formulating my term paper right now on liminality and alice in
wonderland (and the princess and the goblin by george macdonald ).
Toodles*~~~~~
kimberly botham
chessie1@hotmail.com
personal web page: http://www.angelfire.com/ca/kalikat
Dear Joel,
Pauline
The Lewis Carroll Society and the Lewis Carroll Society of North America have
both established home pages on the web. The pages are new and I'm sure that both
will be expanded in the future. Your comments to the editors of those pages
may help determine the direction of their evolution. The Lewis Carroll Societies
have been instrumental in keeping the Lewis Carroll flame glowing. I suggest
that you visit their sites and support them in any way you can.
Dear Editor of the Lewis Carroll Home Page,
Charles Baillie,CBE,
57 Queen's Gate Mews,
London SW7 England
Tel 0171 589 7100
Dear Mr. Birenbaum:
Dear editor of the absolutely awesomest page I have ever come accross on the
world wide web! I read the Alice books just a couple of years ago when I was
8 or 9. I am a completely dedicated fan of Lewis Carroll and all that he has
written. I have created an origanal Alice word game which I hope to get
published. Would any of you be interested in something like that? This is
added to a very very full table of books, dolls, and much other Alice
paraphernalia. I am extremely involved with everything I can get my hands on
about this subject. I own seven copies of Alice in Wonderland, and three of
Through the Looking Glass, including a zerox of Dodgsons own origanally hand
written A.I.W., two other copies of the first Alice book with his own
illistrations, and many other editions. As well as the copies, I have note
cards shaped like the characters, a house of cards with Tenniel illustrations
of "them", an Alice in Wonderland card game, a very much children oriented
biography of how the Alice's came about, the new biography titled "Lewis
Carroll" and much, much more. My most recent Alice treasure is a book called
New Adventures of "Alice" by John Rae written in 1917, and I'm curious to see
if anyone else has heard about it. I am simply delighted to know that there
are so many other people interested out there. Many thanks, sincerely Amelia
JRosenman@aol.com
Thanks very much for your kind review of our page. We have been called many
things, but never the awesomest. It is great to see such enthusiasm. At a
much older age than you, I showed similar enthusiasm about collecting Alice
and was told by a serious collector that it was getting too hard and too
expensive to collect Alice. Nonsense! You have a nice start and a great
attitude and at your age your parents are probably paying for it. They're
the ones who should be careful. Have fun with it. If you haven't read
Christina Bjork's book, The Other Alice, you should. You should come to a
meeting of the LCSNA if we are ever in your neighborhood. Keep watching the
page there are always new things.
And yes we are always interested in new games and the like.
Reply from Jack Chalker when asked to comment on Lewis Carroll in relation
to his Wonderland Gambit.
######################################
Editor's note.
From: EYYL41A@prodigy.com
Subject: Alice in Wonderland
p.s. I am a kid so if my spelling is attrocious that's why.
SORRY!!!!!!!!
I have been wondering for some time whether anyone has ever taken the
trouble to undertake serious research concerning Lewis Carroll's
miniature psychological theory (which he puts forward in Feeding the
Mind) about attention and learning. It would be quite interesting (I
think) to know how much of this theory is correct (or rather: how much
of this theory is supported by current psychological theory and research).
Personally, I would find it rather surprising (as well as slightly
disturbing) if a theory, invented by someone with no real psychological
knowledge (which is not surprising, considering the fact that psychology
as a science hardly existed yet in Carroll's lifetime), would be really
accurate, especially since this theory is based largely on introspection, a
notoriously unreliable source for scientific theory.
If you or anyone else knows something about it, I would be really
grateful if you'd let me know.
1025 DE Amsterdam
The Netherlands
e-mail: sz_Spiegeloog@macmail.psy.uva.nl
Subject: Alice and logic
From: mcoleg@juno.com (Oleg V Medvedkov)
Date: Tue, 10 Sep 1996 16:16:29 EDT
Hello
Thank you and your associates for keeping Lewis Carroll's heritage alive.
Author: Smullyan, Raymond M.
Title: Alice in puzzle-land : a Carrollian tale for children
under eighty / Raymond Smullyan ; with an
introduction by Martin Gardner ; illustrated by
Greer Fitting.
Published: N.Y., N.Y. : Penguin Books, 1984.
Description: x, 182 p. : ill. ; 20 cm.
LC Call No.: GV1493 .S624 1984
Dewey No.: 793.73 19
ISBN: 0140070567 (pbk.)
Notes: Originally published: New York : Morrow, 1982.
A range of puzzles dealing with word play and logic,
mathematics and philosophy, featuring Alice and the
creatures of Wonderland.
Subjects: Puzzles.
Fantastic fiction -- Miscellanea.
Puzzles.
Other authors: Carroll, Lewis, 1832-1898. Alice's adventures in
Wonderland.
Fitting, Greer.
Control No.: 83025141 /AC/r95
Sincerely yours
Oleg Medvedkov.
Subject: Lewis Carroll/Hiawatha's Photographing
Dear Joel Birenbaum
I got your address from the Lewis Carroll home page on the web--which I enjoyed
tremendously. I have a question about a Lewis Carroll poem that I have
wondered about for years, and I thought you might be able to help me. On the
other hand, the question itself may be new to you, and so you might be
interested.
It's about some lines from "Hiawatha's Photographing", the parody Carroll wrote
of Longfellow's Hiawatha. (All my books are in storage, so the following is
all from memory, which explains some of the gaps.) One section deals with the
chemicals one has to use: it starts "Mystic, awful, was the process" and after
naming some chemical as a salt of something or other he says:
Chemists call it hyposulfite
(Very difficult the name is
For a meter like the present
But periphrasis has done it).
This section does not appear in most versions of this poem. I believe I saw it
in an early 1940s edition of the British anthology "The Faber Book of Comic
Verse". If my memory serves, the lines are missing from the complete works of
Lewis Carroll, published in one volume; they are also missing from the only
copy of the poem I could find on the web, a page which said it was taken from
an 1887 manuscript (I've mislaid the address, I'm afraid, but I probably found
it via your page.) So my question is, what is the provenance of these lines?
Are they a later addition, and why don't most editions include them? Or were
they only in the early editions, and deleted later for space?
My interest is purely recreational; I'm a fan of Carroll's and would simply
like to satisfy my curiosity. I've been wondering about this for years. If
you can help, I'd appreciate it.
Thanks
Mike Christie
** Reply to: mikec@sterinfo.com
**********************************
Editor's answer. The poem was written in 1857 and appeared in The Train magazine. It was published in For the Train: Five Poems anda Tale by Denis Archer, London. This is the version you are refering to. The one on the net is the version from Phantasmagoria, Rhyme? and Reason?, and most of the anthologies. This is how it goes:
With collodion he plunged it
In a bath of lunar caustic
Carefully dissolved in water-
There he left it certain minutes.
Secondly, my Hiawatha
Made with cunning hand a mixture
Of the acid pyrro-gallic,
And of glacial-acetic,
And of alcohol and water-
This developed all the picture.
Finally, he fixed a picture
With a saturate solution
Which was made of hyposulphite,
Which again, was made of soda.
(Very difficult the name is
For a metre like the present
But periphrasis has done it.)
Questions Asked Frequently
Most groups have FAQs, so it follows that a Lewis Carroll group would have a QAF.
ANSWER: from the rec.arts.books faq.
According to Martin Gardner, Carroll had no answer in mind which he first
wrote this. However, Carroll did gave a solution himself, in an 1896
edition of "Alice": "Because it can produce very few notes, tho they are
very flat; and it is nevar [sic] put with the wrong end in front." Gardner
has recently added another: "Because there is a 'b' in 'both.'"
In a brief preface that Carroll wrote for an 1896 edition
of ALICE IN WONDERLAND, he said he had no answer in mind
when he gave this riddle. Many answers have since been
suggested, including one by Carroll himself, some of which
you will find in my AA note. In 1989 England's Lewis
Carroll Society announced a contest for new answers, to be
published eventually in the society's newsletter,
"Bandersnatch."
Aldous Huxley, writing on "Ravens and Writing Desks"
(Vanity Fair, September 1928), supplies two nonsense
answers: because there's a 'b' in both, and because there's
an 'n' in neither. James Michie sent a similar answer:
because each begins with 'e'. Huxley defends the view that
such metaphysical questions as: Does God exist? Do we have
free will? Why is there suffering? are as meaningless as
the Mad Hatter's question -- "nonsensical riddles,
questions not about reality but about words."
"Both have quills dipped in ink" was suggested by reader
David B. Jodrey, Jr. Cyril Pearson, in his undated
TWENTIETH CENTURY STANDARD PUZZLE BOOK, suggests, "Because
it slopes with a flap."
Denis Crutch ("Jabberwocky," Winter 1976) reported an
astonishing discovery. In the 1896 edition of ALICE,
Carroll wrote a new preface in which he gave what he
considered the best answer to the riddle: "Because it can
produce a few notes, tho they are *very* flat; and it is
nevar put with the wrong end in front." Note the spelling
of "never" as "nevar." Carroll clearly intended to spell
"raven" backwards. The word was corrected to "never" in
all later printings, perhaps by an editor who fancied he
had caught a printer's error. Because Carroll died soon
after this "correction" destroyed the ingenuity of his
answer, the original spelling was never restored. Whether
Carroll was aware of the damage done to his clever answer
is not known.
Another answer is that Poe wrote on both.
For myself, I say it is because they both have 2 eyes (i's).
Dan'l Danehy-Oakes also suggested the variant that both have inky quills.
In chapter 39 of THE SHINING, Stephen King says,
"The higher the fewer, of course! Have another cup of tea!"
And now a new answer - I think. Because each in its own way is a dark wing site. If you get it, let me know. Joel.
From elev@e.kth.se Sat Oct 5 08:26 CDT 1996
Subject: Raven and desk
As to their likeness they might both be seen as omens of death. Certainly
schooling and literary work have a tendency to kill individuality. Congratulations
to the few survivors!
editor's note: This is not exactly what I had in mind, which is the writer's
intention. A dark answer from the land of Ingemar Bergman. Of course, the Alice books are a direct refutation of this premise. On the positive side, at least this person took the time to send a comment. Thanks for your contribution. It is
not important that we agree, but that we converse.
From: fran@netins.net
Subject: Why is A Raven....
Because they correspond!
A writing desk is used to correspond.
And a raven responds with a caw, a caw-response.
izzy@telaviv.ddddf.com
OK, here's another one.
In Lewis Carrol's "Alice in Wonderland: A Mad Tea-Party", the Mad Hatter
asks:
"Why is a raven like a writing desk?"
Because the raven has a secret aerie and the writing desk is a secretary.
raven
1. any of several very large corvine birds having lustrous black plumage
and a
loud, harsh call, esp. Corvus corax, of North America and Eurasia.
aerie
2. a lofty nest of any large bird.
secretary
6. a piece of furniture for use as a writing desk, esp. one with drawers
below and a
cabinet or bookshelves above an often enclosed writing surface.
/s/ Israel Cohen
izzy@telaviv.ddddf.com
Editor's note: Did I encourage him too much?
From: Dub Dublin - Sun Network Ambassador
2) Dark Ink Site (But you just have to ignore the offending "W" this
way, so its not very satisfying),
Dub Dublin Sun Microsystems
Market Segment Manager 12 Greenway Plaza, Suite 1500
Healthcare & Petroleum Houston, Texas 77046 USA
dub.dublin@sun.com +1-713-964-7020
> Boy, you almost had it with that last answer. To get that close and then just
> fall short. I'll give you another shot at it, before I divulge the answer.
cak130@mail.usask.ca
tel# 1 306 343 5770
Date: Sat, 25 Jan 1997 15:15:05 +0100
From: Pascale Renaud
a raven is a blackbird, it's no white on . . (a corbie)
the other is a schreibisch to write on . . . (a dorbie!)
a corbie is scots for a blackbird or raven. a dorbie is scots for an initiate
freemason. this is a very naughty joke which Charles wouldnt like the children
to know about. it corncerns the black widow (queen loonatic victoria) and her
"friend" the scotsman Jonh Brown. Its rumoured in high places that they bumped
off the boring German Albert.Hence the play on German for writing desk.
because both are always cawling.