Renaissance Art and Technology Combine to Tell Alice’s Story Again

Emmanuel Paletz

Are tablet computers revolutionizing the picture book? Ask me again in a hundred years. In the meantime, authors continue to explore the question by experimenting with the ever-willing, always-revolutionary Alice’s Adventures in Wonderland. First to be mentioned on this site was Atomic Antelope’s ground-breaking “digital pop-up book”, then David Neal’s animation of classic illustrations. Now we have a third: an unabridged Alice illustrated with images from Renaissance art. The result sounds like it will be interesting:

To portray the colorful events and idiosyncratic characters of this book, Paletz gleans bits and pieces from Jan van Eyck, Joachim Patinir, Quentin Matsys, Hans Holbein, Sandro Botticelli, Pieter Brueghel the Elder, Hieronymus Bosch and more, combining them into his signature visual collages which dazzle the eye. Alice is a book filled with riddles, puzzles, illogical delightfulness, and brainteasers.

… Most importantly, Paletz’s layered creation will inspire thought. Readers will fall into musings such as, “What is the historical significance of dressing Fish-Footmen in French Revolution military uniforms and the king as Henry VIII?” The use of Dutch and Flemish Renaissance art extends farther than the eye can see. Paletz pulls from historical events to shape each illustration with significance.

The book is the brainchild of Emmanuel Paletz, a creative consultant for the advertising industry and also the art director for the successful cookbook Art and Cook. Read more about him and about the storybook app on the project’s website. Emmanuel is seeking financial assistance to help bring his ebook project to completion. Donations of any amount can be made on the fundraising site IndieGoGo.

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